Resonance in residence is a collaborative sound intallation combining 100 algorithmically-controlled, sound-generating motors and field recordings. In collaboration with: Jonny De Tiger, Jenn Dierdof, Don Gochenour, Clara Kwon, Elias Ragues and Jeff Thompson
3rd Ward Gallery; Brooklyn, New York, USA
In Curious Place generative plant-like shapes thrive on human curiosity as the temperature, humidity and interaction are used as arguments for transforming and amplifying a physical space.
The installation consists of a small screen that displays a generative design of plant-like shapes, attached to a network of sensors that allow it to use the immediate surroundings as raw material.
When a user approaches to see the display, a video tracking system is activated and a projection that expands the design is displayed on the body of the spectator. Thus, the space is altered once through interaction with the participant.
The system use video tracking to extract and react to information about human gesture and movement in spaces.
The installation responds to participant locations in the space, but also to spatial relationships between participants. A viewer body is visually transformed into part of the piece.
For this project I’m using the C++ programming language, computer vision and motion tracking, and projection. Additionally, I included in the system two sensors, one to detect the presence of the participants and other to red the weather conditions of the space.
The system perceives one or more participants and responds to their movements in real-time.
The wall of the display is illuminated with infrared lights so the image of the camera is analyzed as a shadow on the graphic screen.
The camera view participants standing in front of a backlighting assembly making easy for the computer to distinguish their images from the background. In this way I’m able to use the information of the contour of the participants as points of control for the displays of the shapes.
This project was developed in OpenFrameworks.
This installation is mainly composed of the following interdependent units
Graphic Output
LCD screen
Projector
Scan converter
VGA Distributor
Servomotor
Data Input
IR Proximity sensor
2 Xbees Radios for wireless communication
SHT15 Temperature and Humidity Sensor
Security B/W Camera with an IR filter
Analog to digital video converter
4 Infrared LEDS panels lights
En términos populares is a real-time language analysis of web-based content, and exploration of non-traditional visualization will provide a framework for revealing the often invisible links between the official discourse, media coverage, and the fluctuations of people’s individual perceptions on reality in the context of Colombia’s armed conflict.
The goals of my project are to first create a new way of viewing the use of the language in web-based social networks in Colombia and second, generate awareness about the potential of on-line participation as a new framework for different kinds of actions, ideologies, and social relations.
In the first phase of this project I used a custom concordance application to find the most used words and determine keywords. I’m using the RSS feeds of the main sections of the newspaper related with the conflict and mapping not just the number of times that a word is used but also the connections between words in sentences. As part of my further research for this project I want to explore different mediums in that the project can be made public. In addition to web presence I want to investigate the possibilities of physically express the analysis of the information.
The first result of this research is a collaborative project with Ana Gutierrez, an installation in which the visitors are labeled via projection/video tracking with words that are part of the outcome of the text analysis that search for the most used terms to stigmatize civilians as part of the actors in the conflict.
Brick Screen is a site-specific video installation consisting in a projection structure made of 120 brick-shaped mini-screens dispersed between 5 planes of depth. The software developed in Max/Jitter control the projection display in each one of the bricks. This project was developed for the Jose Gilbert Ramirez community park in Bushwick, Brooklyn.
BrickScreen is meant to discuss the ever-changing cultural landscape of Bushwick. Like the social complexities of a transitional neighborhood, is multi-faceted, with five separate viewing planes, none of which are the same. When surrounding noise increases, the screen reacts, as its content breaks into fragmented, pixelated images, reflecting the affectation of influx and deflux of the gentrification process.
In collaboration with Ana Gutierrez and Rucyl Mills